Introduction and Definitions
The entire harmonious universe is based on the Golden Ratio. Music should naturally follow this same principle. With the current "A" set at 440Hz, we unfortunately do not find this number as a multiple of the Golden Ratio. Therefore, the current value of "A" does not seem correct.
Before redefining this value, here are some basics:
- Consonance: A set of 2 or more sounds pleasant to the ear (euphonic affinities). Octaves, fifths, and unisons are perfect; sixths, thirds, and fourths are imperfect.
- The Golden Ratio: φ ≈ 1.618034
- Equal Temperament: Developed by J.S. Bach, it divides the octave into 12 equal semi-tones (ratio ≈ 1.059463). While practical, this system is imperfect as it does not respect pure harmony ratios.
Frequency Interval Ratios (Respecting Euphony)
| Tonic | Major Second | Minor Third | Major Third | Fourth | Fifth | Octave |
| C |
D |
Eb (D#) |
E |
F |
G |
C |
| 1 |
9/8 |
6/5 |
5/4 |
4/3 |
3/2 |
2 |
Calculating the Harmonious "A"
Using Fifths and Octaves (perfect consonances), we first look for the note closest to the Golden Ratio: G# -5 (1.6223).
By fixing this G# -5 to the Golden Ratio (1.618034) and applying a 26 ratio, we obtain a G# +1 at 103.5542. Descending by 4 fifths (3/2) gives an E -1 at 20.455. Descending by one more fifth gives the A -2 at 13.638. Finally, ascending by 5 octaves defines the "A" Tuning Fork at 436.37644 Hz.
The 7 NOGIER Frequencies
Obtained by pulsed light and verified by the ACR (Auriculo-Cardiac Reflex), these frequencies correspond to the reactivity of the muscular system and body impedance.
Experimental Fundamental Frequencies:
| A | B | C | D (Harmony) | E | F | G |
| 2.5 | 5 | 10 | 20 | 40 | 80 | 160 |
Modified Frequencies (Based on E / 20.46 Hz):
| A | B | C | D | E | F | G |
| 2.56 | 5.11 | 10.23 | 20.46 | 40.91 | 81.82 | 163.64 |
Spiral of Fifths and Balance
To respect the consonance system, it is necessary to differentiate Bb from A# and structure the scale as a spiral rather than a circle. By placing E at the center (the seat of physiological balance according to Nogier), we obtain a precise harmonic distribution.
This data has been integrated into the frequency medicine software to allow direct application without manual entry.
Major and Minor Perfect Chords
Major Perfect Chords
| C E G |
G B D |
D F# A |
A C# E |
| E G# B |
B D# F# |
F# A# C# |
C# E#(F) G# |
| Ab C Eb |
F A C |
Bb D F |
Eb G Bb |
Minor Perfect Chords
| C Eb G |
G Bb D |
D F A |
A C E |
| E G B |
B D F# |
F# A C# |
C# E G# |
| Ab Cb(B) Eb |
F Ab C |
Bb Db F |
Eb Gb Bb |
By differentiating Bb from A#, we obtain a total of 13 Minor chords and 13 Major chords.
Therapeutic Applications
Cancer Cell Cases (G. FICHES):
- Stem Cells: Vibration in Bb minor (Bb Db F).
- Cancer Cells: Toxic Chord (Bb Db F#).
- Metastasis: Toxic Chord (Bb D G).
Link with the Elements:
Earth: E | Metal: D | Water: G | Wood: C | Fire: A